Haxan: Witchcraft Through the Ages
Mirror Phantom Engineer
Mirror and Phantom Engineer performing an improvised soundtrack to Benjamin Christensen’s 1922 horror film prototype, Haxan: Witchcraft through the Ages.
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Mirror and Phantom Engineer performing an improvised soundtrack to Benjamin Christensen’s 1922 horror film prototype, Haxan: Witchcraft through the Ages.
A sound of buzzing and flickering metallic drones, glottal stops and guttural growls, and also an explosiveness and purity of sound that reminds you as much of Bill Dixon as anyone else.
A chat, with examples (Zola, H. P. Lovecraft, Hammer Horror), about blackness and the sheer stupid thickness of what has no profundity whatsoever.
Black-clad with an ominous aura created by their distorted guitar epics, burnt-out ballads and raucous mantric jams.
Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.
Improvising violinist Angharad Davies performing with pianists Tisha Mukarji and Andrea Neumann.
Thought and action, writing and protesting. A chat with Nat Raha, KUCHENGA and Jackie Wang asking what can be learnt from writing across genres by agitators, activists and abolitionists?
An immersive environment where sound is looped through oscillators, radio, guitar pick-ups and video amps to create dense strobing images and colours
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.