
Inferno Quiz Show
Taku Unami
Cardboard boxes, metal guitar, critical homage, attempts to describe things you can’t describe. A one-man Grand Guignol school play.
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Cardboard boxes, metal guitar, critical homage, attempts to describe things you can’t describe. A one-man Grand Guignol school play.
Seven women recite monologues composed from texts from the vibrant years of the Weimar Republic. A kind of cultural echo: an experience of histories brought to the present.
Autobiographical detail becomes a lens to reflect and refract the deepest aspects of personal and social life in Delany’s ground-breaking non-fiction writing.
An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Simon Morris is joined by Nick Thurston as they attempt to read aloud whilst peddling on exercise bikes.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
Bruno’s liberated improvisational approach stretches beyond the lyrical, tough as nails rhythmic bursts and expressive, swinging attack of his drumming.
An original and beautifully simple performed installation forging a direct link between sound and image.
An invitation into languages field of touch; to speak in feeling together.
A bodiless treatise on narration, bored speakers, audience misbehaviour and police megaphones, but: is anybody listening?