As Jane Edwards and Geoffrey Rush
Aileen Campbell
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?
Out of a dark haze, shafts of lights are picked out from the surface of film. Out of the black silence, noise, audible scratches bloom into a bright drone of broken and cracked objects.
Guy Sherwin gives a kind of annotated, chat through his optical sound films
A welcoming intermission between events, open to the public.
Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.
Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
Wave Formations is a 5 screen work in which each screen runs through a series of fades and then stroboscopic flashes of colour, to create a series of visual harmonics.
Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.
Taking a scalpel to the relationship between performer and audience: cutting something out to see what’s left, a drastic subtraction and shift of emphasis.
The first of two workshops that highlight correspondence as a way of working. Somewhere between song, speech, and logistical arrangement, these workshops invite participants to consider care as infrastructure.