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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Z'EV performing with home made percussion instruments in a railway arch
16 October 2004
The Arches

Z’EV

Z’EV

US percussionist, poet, sound artist and instrument maker performing on self-made instruments constructed from industrial materials such as stainless steel, titanium, PVC plastics and various kinds of pipe.

INSTAL 04
A white star painted on a black oil tank or similar metal container
21 June 2006
Lyness Oil Tank

Lyness Oil Tank

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.

Resonant Spaces
Close up of a radio with a glowing fluorescent tube on top
12 April 2007
DCA

Chord of the Fifth Force

Barry Weisblat

A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.

Kill Your Timid Notion 07
arika_ep7_IMG_4492
17 April 2015
Tramway

Ueinzz Crossings

Ueinzz

An open collaborative workshop space in which games, warm-up sessions, exercises and scenes are potentially the same thing, through which to project your own concerns onto the stage.

Episode 7: We Can’t Live Without Our Lives
A silhouette of Delany in front of screen where a room is lit with green light
16 November 2017
Tramway

The Motion of Light

Samuel R. Delany

Autobiographical detail becomes a lens to reflect and refract the deepest aspects of personal and social life in Delany’s ground-breaking non-fiction writing.

Episode 9: Other Worlds Already Exist
A masked figure holds a microphone in stark lighting
15 October 2005
The Arches

Sun City Girls

Sun City Girls

Perhaps the paradigm of America’s covert musical subculture, Sun City Girls operate just over the border of raucous delirium.

INSTAL 05
Kiyoharu Kuwayama & Rina Kijima with friend at INSTAL 06
15 October 2006
The Arches

Kuwayama & Kijima

Kiyoharu Kuwayama Rina Kijima

Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.

INSTAL 06
A table with three microphones, chairs and named placards. The seats are empty
24 March 2012
Tramway

Combatant Status Review Tribunal

Andrea Geyer Ashley Hunt David Thorne Sharon Hayes Katya Sander

Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.

Episode 3: Copying without Copying
A black pen line drawing of all the members of the Carni Collective
26 March 2022
CCA Annex (Online)

Part One | Parte I

CARNI – Coletivo de Arte Negra e Indígena Periferia Segue Sangrando Denise Ferreira da Silva Ana Lira

A Breath to Follow | Um sopro a se seguir
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Black and white photo of Ailie Ormston. Ailie is playing a white electric guitar with a microphone in front of them.
17 November 2024
Tramway Live Stream

aquasomatics

Nat Raha Ailie Ormston

Transfeminist and revolutionary poetry, voice and timbral abstraction: a sounding and spatialising of reparative sonic and somatic practices that can speak back to violent histories of expropriation and ecocide.

Episode 11: To End the World As We Know It
Music Lover's Field Companion 05 publicity flyer
20 – 22 May 2005
The Sage Gateshead

Music Lover’s Field Companion 05

Taking our festivals south of the border to The Sage Gateshead we set out to offer a few cardinal pointers in the vast array of experimental music practices.

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