Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Acoustic turntable, engines, trumpet and accordion joined by Bassist Magarida Garcia: build long-form quietly detailed pieces that clatter and rumble, that expand and contract with the tension and release of deeply held breath.
This programme is a celebration of Charlemagne Palestine; passionate, extravagant, visceral. Including two sections from Ritual dans le Vide, an extension of his ‘running camera’ works of the 70’s and Pip Chodorov’s vibrant workout of a live version of Strumming Music.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
Taking a scalpel to the relationship between performer and audience: cutting something out to see what’s left, a drastic subtraction and shift of emphasis.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Dundee. Progressive rhythmical guitar squall vs. post-highland discorporate dusk-jockey.
Sound as it is endured by space and the body: 15 participants lie face down and pound the floor with a microphone one thousand times, each person choosing their own rhythm and intensity.
Deliberately blurred drones, absent of definite structure or rhythm, framed in silence and devoid of any distraction from the pure matter of sound.
Sometimes delicate, sometimes harsh and jarring, Yagi’s koto solos are as much inspired by Nancarrow or Cage as they are traditional.
Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.
