
In The Shadow of Shadow – Walk
The Strickland Distribution Ultra-red
A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis
The role of feelings in public life, (political) depression and creative survival.
“Beginning where you and me ends, where we don’t so much come but are already here.” Join James and Nisha to talk about breath, erotics and flesh, about our social, poetic cosubstantiality.
The Songspiels take on a mode of musical theatre developed by playwright Bertolt Brecht and composer Kurt Weill in the early twentieth century, presenting political and social concerns through the accessible and (often funny) form of song.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.
A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.
Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.
Jumping off from Sun Ra’s thoughts on evil, and the Alien films, this performance will explore how the sociality Sondra wants to visualise and participate in has no interest in respectability.