
Sean Meehan
Sean Meehan
Percussion used to explore the social construction of space
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Percussion used to explore the social construction of space
UNINSTAL was a set of events at Tramway that tested out radical ideas with leading local and international artists. A collection of events (performances, films, installations, walks and talks) about sound and listening.
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
A simple hands on workshop with micro-radio theorist and pioneer Kogawa.
Camille Sapara Barton author of Tending Grief will facilitate this BIPOC only session around somatics and racial justice.
Join activists, academics and artists as they reflect on abolitionist praxis and thought, exploring covergences with gender, poetry, technology, performance, speculation, aesthetics, film and culture. This series of events commemorates Black August and is for anyone who wishes to answer the abolitionist call to action and thought.
The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
What is happening when systems of repression try to grasp communities’ ways of being, living or surviving, applying laws of sexuality, gender or race to cast them as criminal?
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
Jandek’s second ever live performance, and the first to be advertised in advance.