Arika  Archive Menu
Accessibility Settings

text size

colour options

monochrome muted color dark

reading tools

isolation ruler

Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

Filter the Archive
Suggested Searches

All Archive (704)

Order by
Two people with headphones listen to items in an installation at a large table
14 November 2010
Tramway

Temporary Outpost for an Auditory Gesture

Brandon LaBelle

Temporary Outpost for an Auditory Gesture is a kind of performed installation that explores how sonic phenomena (like feedback, vibration, resonance, echo, rhythm) condition our experience.

INSTAL 10
Laps Performs in Blue Light
18 November 2017
Tramway

Every Book is Dead

Hal Duncan LAPS

Mashed up queer fantasy of worker’s revolts, biblical demons and present-day hells, and dubbed out cyborg-electro.

Episode 9: Other Worlds Already Exist
Image with the words: Icebreaker International
9 December 2001
The Arches

Icebreaker International

Icebreaker International

An audio report for the NATOarts board of directors that seeks to promote global security and stability through the exhibition of works of conceptual art.

INSTAL 01
Kenny Goldsmith holds a microphone wearing a white spotted jumper
16 February 2008
The Arches

Translation

Achim Wollscheid Kenneth Goldsmith

Kenneth Goldsmith reads extracts of his conceptual poetry and Achim Wollscheid manipulates mobile phone signals.

INSTAL 08
1 December 2002
The Arches

John Wall

John Wall

Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces

INSTAL 02
Someone hands are bound in maybe 15 different, irregularly knotted ropes
21 November 2019
Tramway

Gravitational Feel: Opening Performance

Fred Moten Wu Tsang

Gravitational Feel is an engine for intensifying the differentiation of our entanglement, which you continually reprogramme in the mutual rub, shift and lap of its sonic, wooden, steel, textile and human material.

Episode 10: A Means Without End
Robin MacKay sits on a panel of 4 people. He leans forward to speak into a mic
13 November 2010
Tramway

Before or after finitude?

Arika Catherine Christer Hennix Florian Hecker Robin MacKay

Electronic music, time, thought, the word, and consecutive matters

INSTAL 10
Makoto Kawabata playing electric guitar in front of a projection
19 October 2003
DCA

The Invasion of Thunderbolt Pagoda

Acid Mothers Temple

Freak-out group for the 21st century perform a live soundtrack to Ira Cohen’s infamous psychedelic masterpiece ‘The Invasion of Thunderbolt Pagoda’

Kill Your Timid Notion 03
A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event
Denise Fererria Da Silva holds both hands in the air as she talks to the group
28 September 2014
Tramway

Realness

Charlene Sinclair Fred Moten Icon Ayana Christian Michael Roberson Tourmaline

A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.

Episode 6: Make a Way Out of No Way
Ellen fullman's long string instrument : many strings strung across a long room
13 October 2006
The Arches

Ellen Fullman & Sean Meehan

Ellen Fullman Sean Meehan

Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.

INSTAL 06
Portrait of Marc Baron in black and white
27 February 2010
DCA

Marc Baron

Marc Baron

Three speakers play back pre-recorded sounds, Marc listens and responds: “What is played is the imperfect witness of what I listen to (or maybe better, how I listen).”

Kill Your Timid Notion 10
?
This site uses cookies for analytics. See our Privacy Policy for more. OK Opt out
×