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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A 40ish mixed race Sri Lankan, Irish and Galician nonbinary femme with curly brown silver and purple hair, lying on a couch looking at the viewer horizontally. They have rose gold aviator frames, thick eyebrows, red lipstick and sand colored skin, and are looking at the viewer with a kind of tired but hopefully crip wonder. They wear a blue denim vest with a pin that says Neurodivergent Universe above a pink and blue image of a ringed planet, and a black tank top with yellow lettering that read Talk To Plants, Not Cops is barely visible. They have a tattoo of the words "We begin by listening" in magenta cursive script on their left arm.
21 June 2023

Altar: Odes to the Lost/ never lost with ASL Centered Hang

Leah Lakshmi Piepzna-Samarasinha

Offering a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves. Expect fire and a little bit of smoke. Concluding with a D/deaf centered social space with conversational interpreters available for those who do not speak ASL.

 

I wanna be with you everywhere 2023
Exias J playing guitars and double bass on stage at INSTAL 04
17 October 2004
The Arches

Exias-J

Exias-J

The Experimental Improvisers Association of Japan, [EXIAS-J] are a loose collective of musicians and dilettantes who seem to represent an entire and self sufficient scene in one band.

INSTAL 04
A tape recorder on a piece of paper that reads play, stop, pause and record
12 November 2010
Tramway

Arika delivers a manifesto

Arika

Three (thankfully short) chats wherein we try and get at what’s eating us with regards to experimental music, and what we think might be worth salvaging.

INSTAL 10
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Film still from A Plot, A Scandal. A person is sits on top of a thick fur blanket or rug. They are sat on their bottom, their right hand and leg are raised up. In their hand they hold a what looks like a wooden pole. They are dressed in lilac silk and wear a wig of light curly hair, like a judge’s wig. It is a staged environment with a cast of yellow light highlighting the figure.
14 November 2024
Tramway

A Plot, A Scandal

Ligia Lewis

Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.

Episode 11: To End the World As We Know It
Jandek on stage wearing a hat & playing an electric guitar
17 October 2004
The Arches

Jandek

Alex Neilson Jandek Richard Youngs

Jandek’s first ever live performance. Unannounced, the performance was a total surprise for everybody at the festival.

INSTAL 04
Drawing of concentric arrows with 3 words in the centre: attacker, helper,victim
19 April 2015
Tramway

Work Care Class 3 – Care & Revolution

Howard Slater

Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?

Episode 7: We Can’t Live Without Our Lives
A man crouching before an audience operating a projector
13 April 2007
DCA

Keith Evans & Coelacanth

Keith Evans Loren Chasse

A system in which film is projected onto copper strips, captured again and then re-projected as video, somehow transforming the original imagery into molasses-slow, molten and incredibly tactile flickers of colour and light.

Kill Your Timid Notion 07
Matthew Saladin Adjusts a movement sensor in Tramway's studio space
14 November 2010
Tramway

Noises Off

Matthieu Saladin

A kind of performed installation of searing noise and silence, where we’re not sure who the performer is, when it starts or ends or even who it’s for.

INSTAL 10
Someone hands are bound in maybe 15 different, irregularly knotted ropes
21 November 2019
Tramway

Gravitational Feel: Opening Performance

Fred Moten Wu Tsang

Gravitational Feel is an engine for intensifying the differentiation of our entanglement, which you continually reprogramme in the mutual rub, shift and lap of its sonic, wooden, steel, textile and human material.

Episode 10: A Means Without End
A publication called Video Times and a tape sat next to each other on table
26 February 2010

Video Times

Kevin Atherton

Conceived of as a dual publication, video cassette and booklet, to be presented as an installation. The content of the videotape is the artist watching television.

Kill Your Timid Notion 10
A dome of a white observatory in front of a dark blue sky
29 November 2008
BFI Southbank CCA

Location Location Location

Various Artists Guy Sherwin

Experience a sense of being in the world, in a specific space and time. Including Jeanne Liotta’s recordings of the ionosphere and Walter Ruttmann’s radical 35mm precursor to musique concrète.

Kill Your Timid Notion on Tour
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