Based on a True Story – 1986
Rashad Becker
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.
Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
Dub is strange. A conversation with Edward George and Dhanveer Brar.
The Tower performance at KYTN throws into that mix the 70’s fluxus light shows and films of Jeff Perkins and other filmic interventions tuned to their unique frequency.
Performance of a Sudoko based graphic score giving rise to a process of self cancellation.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Glasgow based artist Defaalt invites the audience to collaborate fully in his performance by means of a generative graphical interface.
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.
How might two of the great musicians working within contrasting traditions of freedom collaborate? What might this produce: musically, socially, allegorically?
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
A simple, gracefully bold set-up to allow Loïc to trace connections: of comments upon comments upon comments, of sounds next to sounds next to sounds.