
B-52
Hartmut Bitomsky
Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
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Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
Conceptual writer and practicing lawyer Vanessa Place performs and talks with Mark Sanders, author of the brilliant “Complicities: The Intellectual and Apartheid”
Jacobs’ pulsing and abstract 3D Nervous Magic Lantern performance grounded by Eric La Casa’s manipulated recordings of everyday locations.
Complexly interacting colossal drones by the creator of some of the most legendary yet least heard music of the 70’s.
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Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
“Hidden in the hands an alluvial transcription of reach and embrace. The final flickers of the body’s expression, caress and touch.” – boychild
A saxophone. Handheld fans. Shrill squeaks. Splutters, gargling. An incredible diversity of sounds, intensely focused by an inventive musician.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Film and sound stripped of ‘content’ and experienced spatially, to be looked at not on the screen but in the space of the gallery