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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (704)

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Wormit reservoir: a concrete columns and pools of water in a large sunless room
27 June 2006
Wormit Reservoir

Wormit Reservoir

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in an old underground reservoir in Fife.

Resonant Spaces
A medium close up of the side and back of one person hugging and lifting another
17 April 2015
Tramway

It’s Sorta Like a Big Hug

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
An actor playing a reporter at a trial sits in front of a drawered wall
23 March 2012
Tramway

Criminal Case 40/61: Reverb

Andrea Geyer

A performed installation by one of Germany’s most interesting visual artists, based on edited transcripts of the 1961 trial of Adolf Eichmann in Jerusalem and the writings of Hannah Arendt

Episode 3: Copying without Copying
A man in garden looks at the screen - "We're here among ourselves…"
16 April 2015
Tramway

Every Little Thing

Dir. Nicolas Philibert

Documentary of La Borde clinic in France and its radical politics of experimentation, in which residents and staff reciprocate in a kind of entanglement, an opening up amongst themselves.

Episode 7: We Can’t Live Without Our Lives
A film still of a set of a living room filled with pictures and a couple
18 October 2003
DCA

Corpus Callosum

Michael Snow

Part old-fashioned Renaissance man, part hardcore avant-gardist, the Canadian painter-photographer-filmmaker-musician gives full vent to his genius in the exhilarating perceptual vaudeville, named after the ‘central region’ of tissue that acts as a conduit between the brain’s two hemispheres.

Kill Your Timid Notion 03
Howard Slater is in conversation at a table with Barry Esson in a black room
21 April 2013
Tramway

Listener as Operator

Howard Slater

Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.

Episode 4: Freedom is a Constant Struggle
Several rows of audience members smile and one has a hand raised
17 April 2014
The New School

Ballroom Town Hall Meeting

Various Artists

Open community meeting to discuss some of the prevalent concerns impacting the ballroom community.

Master Ballstar Weekend
Four people on stage have a discussion. A screen projects images behind them
21 October 2016
Tramway

Life In Flight From Every Prison

Dean Spade Joshua Allen Tourmaline We Will Rise

Is there a link between the ways we’re caged and exiled by the prison-industrial complex and the ways people’s bodies are violently categorised and segregated by race, class, gender or ability?

Episode 8: Refuse Powers’ Grasp
At the edge of a roadside stand a group of 3 people. A person dressed in black robes is being filmed by one person and is talking to the camera. Another person stands next to them listening. To the left of the group is the back of a van heavily loaded with personal belongings including laundry bags, chairs, cooking pot, plastic water bottle & oil.
13 November 2024
Tramway Live Stream

For Ever Gaza

Ayreen Anastas Rene Gabri

An improvised film about our worlds at the brink, on the edge, in front of a crisis. To stand on the side of life, by seeing the resistance to genocide in Palestine as a turning point to overcome.

Episode 11: To End the World As We Know It
V∞redoms on stage at INSTAL 03 amidst at least three drum kits
23 November 2003
The Arches

V∞redoms

Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.

INSTAL 03
Hijokaidan on stage performing with intensity and strong lighting
15 October 2005
The Arches

Hijokaidan

Hijokaidan

Hijokaidan rapidly built a following due to the overwhelmingly physical intensity of their live performances, often involving destructive onstage rituals of vomit, urine, mangled guitars and ear shredding volume.

INSTAL 05
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