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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Projection of a pink and gold form above a man operating another projector
12 December 2004
DCA

La Cellule d’Intervention Metamkine

Metamkine

Adamantly analogue, inspiring and frequently chaotic in performance, Metamkine draw no distinction between image and sound; during their intuitively improvised performances music and images are created simultaneously and equitably.

Kill Your Timid Notion 04
Pools of light show music stands holding large books
24 February 2012
Tramway

De Musicorum Infelicitate

Esther Ferrer Walter Marchetti

‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.

Episode 2: A Special Form of Darkness
Terre Thaemlitz lies on the ground, wrapped in a plastic sheet, and eerily lit
25 May 2013
Tramway

Soulnessless – Introduction

Terre Thaemlitz

“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”

Episode 5: Hidden in Plain Sight
Projection of LIGHT MUSIC by Liz Rhodes in DCA Dundee
19 February 2006
DCA

Expanded Cinema: LIGHT MUSIC

Lis Rhodes

Light Music is a dizzying celebration of the pivotal nature of sound in film; a direct and powerful transcription of film as sound.

Kill Your Timid Notion 06
Four People sitting in a row, one in red hair talking
20 April 2017
Strathclyde Uni

Supporting Sex Workers

Catriona O’Brien Chamindra Weerawardhana Gracie Mae Bradley Juno Mac Laura Watson Luca Stevenson Nadine Stott Paulina Nicol Sabrina Sánchez Thierry Schaffauser

Three panels offering opportunities to discuss how to build stronger alliances between the sex workers’ rights, migrants rights and reproductive justice movements and how to face, together, an increasingly punitive and reactionary system.

Sex Workers’ Festival of Resistance
A B&W shot of M Lamar prostrate and seemingly screaming
27 September 2014
Tramway

Speculum Orum

M Lamar

A queer black operatic requiem for piano and voice that asks us to stay in the hold of the slave ship, that tries to understand the connection from the slave ship to the prison.

Episode 6: Make a Way Out of No Way
Peter Evans backstage at MLFC 07
11 May 2007
The Sage Gateshead

Peter Evans

Peter Evans

A sound of buzzing and flickering metallic drones, glottal stops and guttural growls, and also an explosiveness and purity of sound that reminds you as much of Bill Dixon as anyone else.

Music Lover’s Field Companion 07
14 October 2006
The Arches

Infest – Opaque

Opaque

Low-end drone guitarage army since 1997: nobody has done more on this occasion by a gaggle of sludge-lovers from the Scottish underground.

INSTAL 06
Script papers are strewn across a black floor
20 April 2013
Tramway

No Total

What kind of listening and acknowledging do we offer each other? What is it to listen to an ‘elsewhere’, and do we ever do anything else when we listen to music?

A sequence of stills of a lady getting out of a car
22 January 2012
CCA

Data as Documentary: Graham Harwood

Graham Harwood

Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.

Episode 1: A Film is a Statement
Chuquimamani-Condori performing. Their face tilts downwards. They are wearing a wide brimmed hat, the background is dark and their face is lit dramatically by the cast of a red light
17 November 2024
Tramway Live Stream

DJ E

Chuquimamani-Condori

Ecstatic, intensely joyous experimental club music: like “the sound of our water ceremonies…40 bands playing their melodies at once to recreate the cacophony of the first aurora and the call of the morning star Venus”.

Episode 11: To End the World As We Know It
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