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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A scanned picture of a B-52 and its ordinance laid out in the desert
22 January 2012
GFT

B-52

Hartmut Bitomsky

Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.

Episode 1: A Film is a Statement
Two men move things around on the floor
16 February 2008

Usurper

Usurper

This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.

INSTAL 08
Two frames from a 16mm film with blocks of red, green, pink and yellow
29 November 2008
BFI Southbank CCA

About Face

Various Artists Paul Sharits

This programme takes human subjects as the focus for sound and image construction. And it includes a couple of masterpieces of experimental film: Paul Sharits’ deeply empathetic interpretation of epilepsy and Peter Kubelka’s Webern inspired abstract portrait of Arnulf Rainer.

Text super-imposed on two people
21 October 2016
Tramway

Queer Liberation: No Prisons, No Borders

Dean Spade Hope Dector Tourmaline

A crash-course in pre-figurative, radical, queer, anti-racist, anti-police, anti-prison, anti-deportation abolitionist politics and trans-resistance.

Episode 8: Refuse Powers’ Grasp
Arika_ASIAPOL_Whitney2012_Ultra-red_GeorgeLewis_Photo_BMcIntyre-22
2 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red George Lewis

For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.

A survey is a process of listening
Hijokaidan on stage performing with intensity and strong lighting
15 October 2005
The Arches

Hijokaidan

Hijokaidan

Hijokaidan rapidly built a following due to the overwhelmingly physical intensity of their live performances, often involving destructive onstage rituals of vomit, urine, mangled guitars and ear shredding volume.

INSTAL 05
Junko singing into a microphone against a dark background
25 February 2012
Tramway

Junko

Junko

Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.

Episode 2: A Special Form of Darkness
A pencil drawing of a spherical shape drawn with rough impressionistic strokes
5 – 9 February 2012
Glasgow University Chapel Glasgow Uni Music Dept Kinning Park Complex

Investigation: Jean-Luc Guionnet

What’s the best way to spend time with a musician when they visit a city to perform? And when the musician in question has a great deal to say, what sort of concert do you organise to do justice to that?

7 – 8 April 2022
Performance Space New York Online

No Diving 2

Storyboard P

Live in person at Performance Space New York and live-streamed everywhere! Watching Storyboard P dance feels like glimpsing into another world.

Image with the words: Paragon Ensemble / David Fennessy
9 December 2001
The Arches

Paragon Ensemble / David Fennessy

Paragon Ensemble

The Scottish based Paragon Ensemble has commissioned David Fennessy to compose music for Instal, which will be performed during the evening.

INSTAL 01
Three figures are silhouetted by a large window in the shape of a parallelogram
4 May 2012
Whitney Museum of American Art

Is a survey a process of listening?

Barry Esson Jay Sanders

A short chat about what we (Arika) might be trying to do with our program for the Biennial.

A survey is a process of listening
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