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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Two figures boxing in front of an audience
27 February 2010
DCA

Overheard (Suspension of Belief Sketch 4)

Resonance Radio Orchestra

There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?

Kill Your Timid Notion 10
AMM in a hallway or a hotel foyer leather jackets and smiles
23 November 2003
The Arches

AMM

Eddie Prevost John Tilbury Keith Rowe

AMM have undoubtedly been among the most important contributors to the UK free improv scene for nearly 40 years and we are extremely proud to be able to be working with such distinguished musicians who still rarely play live in the UK.

INSTAL 03
Charlemagne Palestine seated at two pianos surrounded by soft toys
21 May 2005

The Golden Mean

Charlemagne Palestine

An extravagant debauch of huge pianos, plush toys, cognac and ritual.

Music Lover’s Field Companion 05
A cactus and coffee cup and a sheet of paper sit on a table
28 February 2010
DCA

Poetic Justice

Hollis Frampton

A cinema of the mind, a film to take place in the viewers’ imagination(s).

Kill Your Timid Notion 10
Two photos of women in 40's costume sat at an old desk
4 May 2012
Whitney Museum of American Art

Comrades of Time

Andrea Geyer

Seven women recite monologues composed from texts from the vibrant years of the Weimar Republic. A kind of cultural echo: an experience of histories brought to the present.

A survey is a process of listening
Some figures and equipment casting shadows on a fabric screen
12 April 2007
DCA

The Cube

Christophe Cardoen Etienne Caire Gaëlle Rouard Jerome Noetinger Kris Auger Lionel Marchetti Xavier Quérel

The Cube is a 6 hour performed installation in which sound and image are treated as independent but equal, where musicians and filmmakers sit alongside each other, improvise to and feed off both projected image and amplified and acoustic sound.

Kill Your Timid Notion 07
Tim Goldie wearing sunglasses and hat holds his hands over his ears, tongue out
12 November 2010
Tramway

Tim Goldie

Tim Goldie

Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.

INSTAL 10
Still from Robert Nelson's film Bleu Shut 'Bottoms Up'
15 May 2010
Tramway

Bleu Shut

Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.

UNINSTAL
a Sri Lankan, Irish and Galician nonbinary femme with curly brown silver and purple hair and an undercut, wearing a “talk to plants, not cops” navy and turquoise crop top, tiny black denim shorts and a hot pink KN95 mask, takes a mirror selfie with a phone with glitter and many kinda of brightly colored animals and plants on it.
21 June 2023

Altar: Odes to the Lost/ never lost Introduction

Leah Lakshmi Piepzna-Samarasinha

Introducing and setting intentions for a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves.

I wanna be with you everywhere 2023
Fernando stands facing boychild who holds grasps elbow with opposite hand
23 November 2019
Tramway

Borders between Mathematics, Gestures and Dance

boychild Fernando Zalamea

How do we gesture to the invisible, the trans or the obscure? A performative conversation between boychild and Fernando, a sharing of gestures, and a bodily back and forth between mathematician and dance artist.

Episode 10: A Means Without End
A scanned picture of a B-52 and its ordinance laid out in the desert
22 January 2012
GFT

B-52

Hartmut Bitomsky

Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.

Episode 1: A Film is a Statement
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