Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Percussion used to explore the social construction of space
Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.
A recently reanimated Ascension, with mighty Leeds drum hero Paul Hession bringing a dense polyrhythmic torrent into play with Jaworzyn’s reinvigorated piercing guitar.
Fernando thinks that when maths is deep, it should be simple and able to be explained by hand gestures. By embodying ideas, we’re able to more clearly think about their cultural implications.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
One of the most startling cinematic debuts on record, The Flicker is more a hallucination than a film, an out of body experience and riotous celebration of visual harmonics frequencies. An experiment in perception, come with your mind and eyes open.
The role of feelings in public life, (political) depression and creative survival.
Guitar and voice. Keening, droning and mourning. Be ready to release and bring your dis-ease.
A chat with Eugene Thacker. Can we rethink the world as unthinkable, and without us?
Film and sound stripped of ‘content’ and experienced spatially, to be looked at not on the screen but in the space of the gallery
A bodiless treatise on narration, bored speakers, audience misbehaviour and police megaphones, but: is anybody listening?
During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.
