
Entangling history, phenomenology, metaphysics, culture, and mathematics: the model RTSK
Fernando Zalamea
Profound mathematical ideas for romantics, to help us linger in the difference we share.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Profound mathematical ideas for romantics, to help us linger in the difference we share.
A full-blooded, emotional attempt to reinvigorate improvisation from a musically inclined philosopher and two philosophically inclined improvisers.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
A prison abolitionist punk video-poetry-music mash up about our fucked-up dystopian society, RoboCop, kids toys and criminality.
What’s the best way to spend time with a musician when they visit a city to perform? And when the musician in question has a great deal to say, what sort of concert do you organise to do justice to that?
Sound and image slipping out of synch and into discord, the programme includes (in London at least) a very special version of Hollis Frampton’s masterful (nostalgia) with a live narration by Michael Snow.
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
Ubuntu Women Shelter, National Ugly Mugs and the Sex Workers Union warmly invite you to a generative conversation (and Q&A) about the needs and rights of migrant sex workers in Scotland.
Craig will give a guided reading of his handbook of exemplary instances of literary listening and will be joined by one of the selected authors, Vanessa Place.
Italian duo of brothers Maurizio and Roberto Opalio utilising an array of acoustic and electric guitars, various toy-instruments and toy-microphones.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?