My Dog Is My Piano
Antonia Baehr
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
An original and beautifully simple performed installation forging a direct link between sound and image.
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
Includes: a £20 note, stock fluctuations, an examination of words in the video medium, a linguistic challenge for your mind, a frame by frame dissection 50 words, shop front poetry, image and language head to head and newspapers under the microscope.
A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).
Social and party with all proceeds going to the Unity Centre, featuring DJ SETS with Dj@Christelle, DJ D-Harsh, Nena Etza & Moor Mother.
Discussion with David Keenan: an author, critic and musician based in Glasgow, Scotland. He is best known for the reviews and features he has contributed to The Wire.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
Do ideas emerging from particle physics help to re-think of blackness as a mode of life in which it’s possible to practice difference without separation?