It Doesn’t Say What It Says
Loïc Blairon
Open-ended, paradoxical and performed investigations into: misunderstanding, language games, form saturated with sense, and consecutive matters…
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Open-ended, paradoxical and performed investigations into: misunderstanding, language games, form saturated with sense, and consecutive matters…
A simple hands on workshop with micro-radio theorist and pioneer Kogawa.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
No Wave, damaged garage jams and crazed instant vocal shrieks.
Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?
Can we find ideas of queer anarchism, failure and low theory in popular culture?
A queer black operatic requiem for piano and voice that asks us to stay in the hold of the slave ship, that tries to understand the connection from the slave ship to the prison.
The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.
In a moment of social exhaustion, we want to ask how we might care for each other differently. We Can’t Live Without Our Lives is a 5-day exploration of care as a form of struggle and resistance, with communities who embody it.