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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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26 – 27 March 2022
CCA Annex (Online)

A Breath to Follow | Um sopro a se seguir

2 days of online discussions and artists presentations exploring the cosmological, decolonial, sensorial practises of Black and Indigenous grass roots art, dance and music collectives in Brazil.

Dois dias de discussões e apresentações online de artistes explorando as práticas cosmológicas, decoloniais e sensoriais de coletivoas de arte, dança e música de base negra e indígena no Brasil.

Disco lights on festoons on a wall
17 November 2017
Kinning Park Complex

Party & Unity Fundraiser

DJ D-Harsh Dj@Christelle Moor Mother Nena Etza

Social and party with all proceeds going to the Unity Centre, featuring DJ SETS with Dj@Christelle, DJ D-Harsh, Nena Etza & Moor Mother.

Episode 9: Other Worlds Already Exist
13 October 2006
The Arches

Infest – Jazzfinger

Jazzfinger

Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.

INSTAL 06
Film still from A Plot, A Scandal. A person is sits on top of a thick fur blanket or rug. They are sat on their bottom, their right hand and leg are raised up. In their hand they hold a what looks like a wooden pole. They are dressed in lilac silk and wear a wig of light curly hair, like a judge’s wig. It is a staged environment with a cast of yellow light highlighting the figure.
14 November 2024
Tramway

A Plot, A Scandal

Ligia Lewis

Conceptual choreography as critique, in Ligia’s film of Caribbean plots and scandals, and the possibilities of anti-colonial revenge, rest and repair.

Episode 11: To End the World As We Know It
Arika_ASIAPOL_Whitney2012_Ultra-red_GeorgeLewis_Photo_BMcIntyre-22
2 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red George Lewis

For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.

A survey is a process of listening
Pools of light show music stands holding large books
24 February 2012
Tramway

De Musicorum Infelicitate

Esther Ferrer Walter Marchetti

‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.

Episode 2: A Special Form of Darkness
Rhodri Davies plays two suspended deconstructed weathered harps
15 February 2008
The Arches

Self Cancellation – Seed Burn / adh

Lee Patterson Rhodri Davies

Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.

INSTAL 08
Henri Chopin on stage smiling and operating a tape recorder
16 October 2005
The Arches

Henri Chopin

Henri Chopin

Renouncing the bind of the written word, Chopin’s sound poetry is a magical evocation of the pure powers of the voices, stripped bare of language.

INSTAL 05
Instal 09 poster
20 – 22 March 2009
The Arches

INSTAL 09

Looking at and listening to different ideas about sound and music, INSTAL 09’s collection of artists included Tetsuo Kogawa, vocalist Joan La Barbara, Phil Minton (and his Century FC feral choir), Austrian Actionist Hermann Nitsch, Steve McCaffery and many more.

Three performers stand next to each other whilst singing and using their voices
21 March 2009
The Arches

Free-form hook up

Aileen Campbell Dylan Nyoukis Phil Minton

GIO’s bottomless throat, Blood Stereo’s slobber gobbler and the Mouth Of The South tangle tonsils over Steve McCaffrey’s Carnival

INSTAL 09
A blackboard with chalk lined box shapes and orange post-it notes by a wall
14 November 2010
Tramway

Evacuation of The Great Learning

Mattin Ray Brassier

Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.

INSTAL 10
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