Salon and Q&A
Kjell Björgeengen William Bennett Zoe Irvine
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
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A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
Psychedelic and intense, and featuring some of the most visually stunning, mesmerizing and transcendent experiences you can imagine, batten down the hatches for some of the boldest, most immersive and abrasive works in experimental cinema.
A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
A simple, gracefully bold set-up to allow Loïc to trace connections: of comments upon comments upon comments, of sounds next to sounds next to sounds.
A chat with Eugene Thacker. Can we rethink the world as unthinkable, and without us?
Sarah Washington uses electronics and wind-up radios, running out of charge to repsond to the festivals’ Self Cancellation provocation.
Is there a link between the ways we’re caged and exiled by the prison-industrial complex and the ways people’s bodies are violently categorised and segregated by race, class, gender or ability?
Our favourite Lancashire-born autodictact asks what’s political about the tension between the individual and the collective in free jazz.
Ex Ganger guitarist’s solo performance for guitar and fx, featuring breathless processed guitar, complex in structure and melody.
A back and forth between Fred and Fernando on the transits and obstructions between mathematics and poetics, and how both help us to think from the other side.