Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Duo performance by two great French musique concrète improvisers using feedback, contact mics, tape, an old Revox tape machine, a vintage synth…
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
For day five of Ultra-red’s project, the investigation will review the previous work undertaken together, and perhaps draw up a summary of reflections and pose some future questions.
What kind of listening and acknowledging do we offer each other? What is it to listen to an ‘elsewhere’, and do we ever do anything else when we listen to music?
An invitation into languages field of touch; to speak in feeling together.
An original and beautifully simple performed installation forging a direct link between sound and image.
In which Storyboard P and members of Project X pick a song, freestyle to it, chat with us about what dancing means to them, then pick another song, freestyle, chat, repeat…
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.
Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
