Criminal Case 40/61: Reverb
Andrea Geyer
A performed installation by one of Germany’s most interesting visual artists, based on edited transcripts of the 1961 trial of Adolf Eichmann in Jerusalem and the writings of Hannah Arendt
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A performed installation by one of Germany’s most interesting visual artists, based on edited transcripts of the 1961 trial of Adolf Eichmann in Jerusalem and the writings of Hannah Arendt
A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
A black hole of dense heaviosity, full of slow motion riffage, tectonic pummel and massive planet destroying rock.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?
A silent performance of (musical) reverberation.
A poet, playwright and activist, Sanchez emerged as a seminal figure in the 1960s Black Arts Movement, writing in the name of black culture, civil rights and women’s liberation.
A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.
The Scottish based Paragon Ensemble has commissioned David Fennessy to compose music for Instal, which will be performed during the evening.
Juliana’s performances chart the dissonant space and discrepancy between the presumed fixed norms of social life and the fluid lived experience those norms don’t allow for.
To Rococo Rot member Robert Lippok performing for the first time in the UK with his solo project.