Inhuman Grand-Guignol Theatre
Taku Unami
Inspired by the supernatural horror of H. P. Lovecraft, black metal and a sense of worry as to what constitutes an object, or a world.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Inspired by the supernatural horror of H. P. Lovecraft, black metal and a sense of worry as to what constitutes an object, or a world.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
A community of those without community, for a community to come. A schizo-scenic video-collage of the disturbing ‘normality’ of Moby Dick.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
Imagine entering a library where readers can borrow human beings serving as open books. Then select a book stack that specialises in sex work.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
How do poetry and maths stitch together pictures of our fractured situation from its wreckage and relics, from the debris of hope and the well of residues that make us what we are?
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
In this response to the Self Cancellation project, Lee Patterson dissolves medicine in glasses of water and explores the sonic content.