Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A multi-media harp and spoken word tribute to the incalculable, the in-deducible, the suspicious static noise that accompanies the voice of truth, and the attempted aberrations in the domain of emergence.
A recreation of one of Gustav Metzger’s celebrated auto destructive performances.
Bringing together artists working with music, sound, film and the moving image, KYTN 2008 saw performances, improvisations, screenings and installations over three days at DCA.
Electronic music, time, thought, the word, and consecutive matters
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
A dismantled, performed film, where a narrator pieces together the sounds, images and storytelling of a documentary about Hurricane Katrina before a live audience.
Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.
One of the most compelling Indigenous voices of her generation discusses practices of Indigenous Resurgence drawn from Nishnaabeg poetic knowledge.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.
