 
John Lee Clark
John Lee Clark
An invitation into languages field of touch; to speak in feeling together.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
An invitation into languages field of touch; to speak in feeling together.
 
No Wave, damaged garage jams and crazed instant vocal shrieks.
 
Intriguing, underground, Berlin based musicians interested in the borders between music and theatre, language, the visual arts, politics.
 
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise
 
A fulcrum to the Japanese noise scene, JOJO Hiroshige has been responsible for much of the explosion of free music coming from Japan in the last 30 years.
 
Whether drawing their own fractured, abstract narrative, or re-contextualising, chewing up and spitting out someone else’s, each of the films here take a dramatic arc as their starting point and throw it to the wind.
 
US percussionist, poet, sound artist and instrument maker performing on self-made instruments constructed from industrial materials such as stainless steel, titanium, PVC plastics and various kinds of pipe.
 
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
 
Sound and image slipping out of synch and into discord, the programme includes (in London at least) a very special version of Hollis Frampton’s masterful (nostalgia) with a live narration by Michael Snow.
 
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
 
A collaborative duo performance, Anoyonodekigoto sets up a sort of negotiation between a musician, a dancer, the audience and the space we’re all sharing.
Glasgow. Free-playing quartet of bass/ cello/ voice from The Glasgow Improvisors Orchestra and Age Of Wire & String.