 
My Dog Is My Piano
Antonia Baehr
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
 
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
 
This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.
 
Each film in this programme celebrates process; the decay of emulsion, the properties of dust and dirt, the manipulation of time. Post the dawn of the digital age, we reflect on our love of the film form, celluloid as an object, a medium and a physical entity.
 
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
 
Criminal Queers visualises a radical trans/queer struggle against the prison industrial complex, working to abolish the multiple ways our hearts, genders, and desires are confined.
 
Hijokaidan rapidly built a following due to the overwhelmingly physical intensity of their live performances, often involving destructive onstage rituals of vomit, urine, mangled guitars and ear shredding volume.
 
A mixture of investigation groups, live performances, screenings and installations at DCA; the festival looked to strip back music, sound, film and moving image to their core ideas and explore them with artists and audiences.
 
Koji Asano, Japanese composer and sound-artist performing slow groaning burbling tones, moaning echoes and drones.
 
A conversation between influential figures thinking through Blackness and Indigeneity, asking: what if we took seriously the possibility that this world, as we know it, may be coming to an end? We dread the loss of this world, but have we begun to imagine the one to come?
 
Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.
 
Glasgow based artist Defaalt invites the audience to collaborate fully in his performance by means of a generative graphical interface.