Self Cancellation – Dry Ice With Metal
Michael Colligan
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
Temporary Outpost for an Auditory Gesture is a kind of performed installation that explores how sonic phenomena (like feedback, vibration, resonance, echo, rhythm) condition our experience.
Introducing and setting intentions for a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.
An open conversation hosted by Saidiya Hartman and Fred Moten around ‘fugitivity’ and ‘waywardness’ and what it means to be in flight, excessive or ungovernable.
Akio Suzuki and John Butcher performing in a remote sea cave near Durness.
Three documentary films exploring diverse realities of sex workers around the world followed by a closing ceremony of the festival.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.