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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Several 16mm film frames of a stairway covering both image and sound areas
19 February 2006
DCA

Film Programme 4: Space

Guy Sherwin Thomas Köner Various Artists Takehisa Kosugi

A programme looking at landscape, filmic or architectural spaces and at how the fixed stare of a camera frame only captures so much reality; here we focus on how filmmakers structure our relationship with that reality and at how they relate it to or interpret it through sound.

Kill Your Timid Notion 06
John Butcher and Michael Moser playing saxophone and cello at MLFC 07
12 May 2007
The Sage Gateshead

Polwechsel

Burkhard Beins John Butcher Martin Brandlmayr Michael Moser Werner Dafeldecker

With a signature spartan sound and long term preoccupation in structural tactics (subtle shifts in density, drawn out stasis) Polwechsel blur the boundaries between individual instruments.

Music Lover’s Field Companion 07
A room full of plinths with candles on top
13 April 2007
DCA

Joe Colley

Joe Colley

Joe Colley specialises in hotwired sound constructions full of ominous electronic disturbances and caustic, noxious drones. For KYTN, Joe created a situation of controlled chaos with 50 light sensitive oscillators placed in a field of candles.

Kill Your Timid Notion 07
silmukka06
19 October 2003
DCA

Short Film Programme 2: Contemporary

Billy Roisz Various Artists William Basinski

The second of two short film programmes featuring works that blur the boundaries between music and film from artists who cross and redefine those long held divisions. This programme highlights contemporary works.

Kill Your Timid Notion 03
Steffen Basho-Junghans backstage standing by a wall
17 October 2004
The Arches

Steffen Basho-Junghans

Steffen Basho-Junghans

Repetitive, mesmerizing rhythmic workouts, to pieces of stark and rigorous introspection, where notes picked and slid in isolation, scatter like mercury around the listener.

INSTAL 04
Klaus sits at a table and plays electronics whilst Radu plays trombone
21 March 2009
The Arches

Klaus Filip & Radu Malfatti

Klaus Filip Radu Malfatti

Radu plays a trombone, Klaus creates pure sine waves: they sound on their own, or sometimes together and often with considerable space and silence.

INSTAL 09
7 April 2025

Week Five: Mental Health/ Moving Beyond

Lisa Fannen Sapna Agarwal

We’ll look at the language and politics of what gets ‘mental health’ and consider more holistic understandings of experiences that honour the connection between mind/body/soul, and that acknowledge social and political context.

In Our Hands 2025
A medium close up of the side and back of one person hugging and lifting another
17 April 2015
Tramway

It’s Sorta Like a Big Hug

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
Aileen Campbell on a trampoline singing Vivaldi accompanied by musicians
12 October 2008

As Jane Edwards and Geoffrey Rush

Aileen Campbell

A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.

Kill Your Timid Notion 08
Ludo bellowing into a microphone at INSTAL 06
13 October 2006
The Arches

Blood Stereo & Ludo Mich

Blood Stereo Ludo Mich

Blood Stereo & Ludo Mich: linking past and present generations of DIY intuitive expression in a post fluxus ‘big mess’.

INSTAL 06
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

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