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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Joe Kubera Kate Thompson David Murray Alan Fearon & Simon Passmore at MLFC 07
11 May 2007
The Sage Gateshead

Evil Nigger

Julius Eastman

Julius Eastman’s Evil Nigger for 4 pianos performed by Joe Kubera, Kate Thompson, David Murray, Alan Fearon and Simon Passmore.

Music Lover’s Field Companion 07
Four people on stage have a discussion. A screen projects images behind them
21 October 2016
Tramway

Life In Flight From Every Prison

Dean Spade Joshua Allen Tourmaline We Will Rise

Is there a link between the ways we’re caged and exiled by the prison-industrial complex and the ways people’s bodies are violently categorised and segregated by race, class, gender or ability?

Episode 8: Refuse Powers’ Grasp
A person sat in a car waving. There is a parade & their jacket is colourful
22 October 2016
Tramway

Miss Major in conversation with Eric A Stanley

Eric A Stanley Miss Major

A conversation of intergenerational trans-resistance and anti-racist fierceness between two of the most inspiring public speakers we know.

Episode 8: Refuse Powers’ Grasp
Nat Raha speaks into a microphone while she reads
24 November 2019
Tramway

apparitions

Nat Raha

Transfeminist, communist, revolutionary poetry that refuses to flinch. Nat Raha presents new work in the nine.

Episode 10: A Means Without End
Shuji Inaba playing acoustic guitar and singing on stage at MLFC 05
22 May 2005
The Sage Gateshead

Shuji Inaba

Shuji Inaba

A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords

Music Lover’s Field Companion 05
two white whales made of paper perch on a low coffee table
21 November 2019
Tramway

In the Sign of Jonah: Around Moby-Dick

Laura Harris Fernando Zalamea

“The miracle of Herman Melville is this: that a hundred years ago in Moby Dick…he painted a picture of the world in which we live, which is to this day unsurpassed.” – C. L. R. James

Episode 10: A Means Without End
Episode_9_Eduardo_Restrepo_Still
16 November 2017
Tramway

Films Installed in the Foyer

Eduardo Restrepo Castaño SWARM

In the Foyer at the Tramway we will screen a documentary from the Sex Workers’ Festival of Resistance 2017 and La Llamada by Eduardo Restrepo Castaño.

Episode 9: Other Worlds Already Exist
A large industrial fan is backlit
21 April 2013
Tramway

Unfree Improvisation / Compulsive Freedom

Mattin Ray Brassier

How do you know what you want? Should freedom be doing what you ought, not doing what you want? How might a philosopher and artist turn this thinking into an enabling condition in the context of noise and improvisation?

Episode 4: Freedom is a Constant Struggle
A packing case with the word ALIVE painted on it sits on stage
16 October 2004
The Arches

Baby Dee

Baby Dee

Former street performer, organist, performance artist, circus performer, harpist, accordion player, tree surgeon and tricyclist performing solo.

INSTAL 04
A performer plays instruments in a suitcase on a subway carriage
7 February 2008
The Arches

Personal Space

Nackt Insecten

Where we join Nackt Insecten’s disembodied spectral howls and heavyweight locomotive drones about SPT’s Subway.

INSTAL 08
8 – 9 November 2025

Class (in the arts) Workshop

ARC (A Revolting Class) SAU (Scottish Artist Union) Common Treasury Scottish Working Class Network

A 2-day workshop to deconstruct our classed experiences and the ways in which we reproduce the same class system we fight against, in order to create a stronger, more egalitarian Scottish art sector.

A pencil drawing of a spherical shape drawn with rough impressionistic strokes
5 – 9 February 2012
Glasgow University Chapel Glasgow Uni Music Dept Kinning Park Complex

Investigation: Jean-Luc Guionnet

What’s the best way to spend time with a musician when they visit a city to perform? And when the musician in question has a great deal to say, what sort of concert do you organise to do justice to that?

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