Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Renouncing the bind of the written word, Chopin’s sound poetry is a magical evocation of the pure powers of the voices, stripped bare of language.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
Ken presents his Nervous Magic Lantern, wherein film itself is forsaken for an investigation of hypnotic and trancelike crystaline forms. Eric La Casa works with recordings of everyday occurrences: the background hum of place.
Amid the blur of erotics, the jangle of poetics, and the fetishizing of sickness and disability, the heat of Panteha’s performance and sculpture freezes all.
Talk charting the radical history of experimental music in Japan + the lowdown into the careers of many of the artists appearing at MLFC.
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.
An extravagant debauch of plush toys and ritual. Palestine performed a version of Strumming Music, a trance inducing investigation into overtone systems achievable on a Bosendorfer Imperial Piano.
Dub is strange. A conversation with Edward George and Dhanveer Brar.
