Self Cancellation – Dry Ice With Metal
Michael Colligan
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
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Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.
This mini, late-night ball will include categories inspired by the events earlier in the weekend.
Out holler/ howl of English pukenoise posterboys exploded by incessant insect chatter of Northern fug dweller.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Sci-fi. After the club. Underground. Counter-narrative. Narrated movement. Cultural resistance. Wu Tsang and boychild’s collaborative performance series, will continue its evolution at Episode 9 with the addition of TOTAL FREEDOM.
Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.
Can our favourite Vegas-born poet of prophetic blackness and a South Central transmuter of social rage into beauty feel through each other?
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)
One of the most startling cinematic debuts on record, The Flicker is more a hallucination than a film, an out of body experience and riotous celebration of visual harmonics frequencies. An experiment in perception, come with your mind and eyes open.
Jarrod Fowler and Christof Migone kick things off with performances involving edible plants, a saw, dandruff, and Christof responding to the prompt: “as far as you can for as long as you can.”