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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Vibracathedral Orchestra on stage in red light
23 November 2003

Vibracathedral Orchestra & Matthew Bower & John Godbert

John Godbert Matthew Bower Vibracathedral Orchestra

For this one off performance Vibracathedral Orchestra are joined by Matthew Bower and John Godbert from mighty UK heavy/drone/psych free-noise behemoths Skullfower, Sunroof! and Total.

INSTAL 03
A full theatre looks back at the camera
27 February 2010
DCA

Screening Room & Teatro Amazonas

Morgan Fisher Sharon Lockhart

A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.

Kill Your Timid Notion 10
Daniel Carter plays a saxophone and William Parker plays a bamboo flute
20 April 2013
Tramway

Daniel Carter & William Parker

Daniel Carter William Parker

What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?

Episode 4: Freedom is a Constant Struggle
Leah stands, gazing upwards in white horn-rimmed spectacles
11 April 2019
Performance Space New York

Solo Performances

Leah Lakshmi Piepzna-Samarasinha

Come for the crip ingenuity; stay for the smooth feels of what it is to be each other’s everything.

I wanna be with you everywhere
Charlemagne Palestine seated at the piano in red light
16 October 2004
The Arches

Charlemagne Palestine

Charlemagne Palestine

An extravagant debauch of plush toys and ritual. Palestine performed a version of Strumming Music, a trance inducing investigation into overtone systems achievable on a Bosendorfer Imperial Piano.

INSTAL 04
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Portrait of Leanne Betasamosake Simpson & Robyn Maynard
16 November 2024
Tramway Live Stream

Rehearsals for Living

Leanne Betasamosake Simpson Robyn Maynard Harry Josephine Giles

Reading their letters to each other, and chatting about prefigurative politics as the practice of relentlessly building worlds through unspeakable violence and loss; of building worlds and living in them anyway.

Episode 11: To End the World As We Know It
Sparklers mounted on stands with microphones being lit with a gas burner
14 October 2006
The Arches

Sparklers and Table Top Set

Lee Patterson

Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.

INSTAL 06
Stephan Mathieu backstage at Instal 02
1 December 2002
The Arches

Stephan Mathieu

Stephan Mathieu

Work that focuses in on the static hiss and background noise of recording and pushes it to the fore.

INSTAL 02
7 – 8 April 2022
Performance Space New York Online

No Diving 2

Storyboard P

Live in person at Performance Space New York and live-streamed everywhere! Watching Storyboard P dance feels like glimpsing into another world.

A pink and mauve background with black text reads The Poetics of Abolition
10 August 2020
Online

Poetry is Not a Luxury: The Poetics of Abolition

Canisia Lubrin Christina Sharpe Nat Raha Saidiya Hartman Nydia A. Swaby

A panel exploring the poetics of abolition. “Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change.”

Revolution is not a one-time event
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