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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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9 February 2012
Kinning Park Complex

Concert 2

Emilia Beatriz Fritz Welch Iain Campbell F-W Jean-Luc Guionnet Julia Letitia Scott Liene Rozite Neil Davidson

Performances of compositions by Jean-Luc Guionnet and others, with Julia Letitia Scott, Iain Campbell F-W, Neil Davidson, Fritz Welch, Liene Rozite, Emilia Beatriz.

Investigation: Jean-Luc Guionnet
Jack Halberstam speaking into a microphone
25 May 2013
Tramway

No Church in the Wild

Jack Halberstam

Can we find ideas of queer anarchism, failure and low theory in popular culture?

Episode 5: Hidden in Plain Sight
A close up, black & white portrait of John Tilbury, in a large fedora hat
19 April 2013
Tramway

John Tilbury

John Tilbury

What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.

Episode 4: Freedom is a Constant Struggle
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
John Tilbury plays a piano whilst Wadada Leo Smith plays a trumpet
19 April 2013
Tramway

Wadada Leo Smith & John Tilbury

John Tilbury Wadada Leo Smith

How might two of the great musicians working within contrasting traditions of freedom collaborate? What might this produce: musically, socially, allegorically?

Episode 4: Freedom is a Constant Struggle
Pools of light show music stands holding large books
24 February 2012
Tramway

De Musicorum Infelicitate

Esther Ferrer Walter Marchetti

‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.

Episode 2: A Special Form of Darkness
A woman bends over with a stick, in the background a man is hitting a gong
21 March 2009
The Arches

Ki: Mico, Tamio Shiraishi & Fritz Welch

Fritz Welch Mico Tamio Shiraishi

A trio of Tamio’s screaming and immovable slabs of sound; Mico’s dance/ performance/ piano; Fritz’s absurd, flailing percussion/ voice.

INSTAL 09
At the edge of a roadside stand a group of 3 people. A person dressed in black robes is being filmed by one person and is talking to the camera. Another person stands next to them listening. To the left of the group is the back of a van heavily loaded with personal belongings including laundry bags, chairs, cooking pot, plastic water bottle & oil.
13 November 2024
Tramway Live Stream

For Ever Gaza

Ayreen Anastas Rene Gabri

An improvised film about our worlds at the brink, on the edge, in front of a crisis. To stand on the side of life, by seeing the resistance to genocide in Palestine as a turning point to overcome.

Episode 11: To End the World As We Know It
Untitled-2
17 November 2017
Kinning Park Complex

Storyboard P at Kinning Park Complex

Storyboard P

During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.

Episode 9: Other Worlds Already Exist
Mujeres Creando red banner says creativity is an instrument for social struggle
22 October 2016
Tramway

Recipes to Change Society

Mujeres Creando

A sort of prayer and conference, a sort of scream and dialogue – a monologue and declaration at the time, addressing how we can build complicity with one another.

Episode 8: Refuse Powers’ Grasp
William Basinski in shirt and tie, blue screen behind, gold table to the fore
16 October 2004
The Arches

William Basinski

William Basinski

Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.

INSTAL 04
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