
Live Immersive Performance
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
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A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
For day five of Ultra-red’s project, the investigation will review the previous work undertaken together, and perhaps draw up a summary of reflections and pose some future questions.
Performances at Anthology Film Archives by by Loren Mazzacane Connors, Alan Licht & Jandek.
A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.
Three workshops lead up to an open invitation to improvise with the festival as concert. The last four hours of the Sunday 14 at Instal 10 were devoted to presentations devised during the three workshops. The material conditions (time, space, facilities…) were the instruments. From there anything could happen.
Dub is strange. A conversation with Edward George and Dhanveer Brar.
Solo performance on bass clarinet, jaw harp & voice by Arrington De Dionyso.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
Akio Suzuki and John Butcher performing in an old underground reservoir in Fife.
Thuja specialise in a unique and abstract folk music, a devoutly organic tapestry deeply rooted in the sway and bow of nature.
The struggle for sex workers’ rights and how we can understand it in the continuum of care work and other forms of invisibilised and precarious work.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.