 
Relative
Jerron Herman
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
 
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
 
For day one of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by George E. Lewis.
 
One of the most influential groups in improvised music, with the collective understanding that comes from listening keenly to each other for decades
 
A kind of an informal overview of INSTAL.
 
A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis
 
Freeform Super 8mm documentation of Saturday at Instal 06 by filmmaker Matt Hulse.
 
Three (thankfully short) chats wherein we try and get at what’s eating us with regards to experimental music, and what we think might be worth salvaging.
 
Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.
 
The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.
 
What is the radical concept at the core of ‘rhythm’, expanded from simply musical or mathematical notions to encompass personal, social, collective rhythms?
 
Film and sound stripped of ‘content’ and experienced spatially, to be looked at not on the screen but in the space of the gallery
 
Equal parts spectacle, installation and performance, his set for us is a specially developed work, ‘turning’, which features an orchestra of multiple turntables, 4 projections and a collection of old, and, quite probably, misfiring analogue kit.