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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Episodes
A portrait of Fred Moten wearing sunglasses and a cheeky smile

artist

Fred Moten
Portrait of Chuquimamani-Condori, they are wearing an off-white cowboy style hat and white casual top.

Type

Music Performance
under a dramatic spotlight boychild wrapped in string is hunched and performs

Theme Pair

Body | Disembody

All Archive (712)

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Several 16mm film frames of a stairway covering both image and sound areas
19 February 2006
DCA

Film Programme 4: Space

Guy Sherwin Thomas Köner Various Artists Takehisa Kosugi

A programme looking at landscape, filmic or architectural spaces and at how the fixed stare of a camera frame only captures so much reality; here we focus on how filmmakers structure our relationship with that reality and at how they relate it to or interpret it through sound.

Kill Your Timid Notion 06
Shuji Inaba playing acoustic guitar and singing on stage at MLFC 05
22 May 2005
The Sage Gateshead

Shuji Inaba

Shuji Inaba

A confrontational and somehow shamanic stance; introspective silences shattered by savage jabs at the strings, whirlwind strums dying into spartan chords

Music Lover’s Field Companion 05
Sparklers mounted on stands with microphones being lit with a gas burner
14 October 2006
The Arches

Sparklers and Table Top Set

Lee Patterson

Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.

INSTAL 06
Vajra : Kan Mikami & Keiji Haino on stage at INSTAL 04
17 October 2004
The Arches

Vajra

Kan Mikami Keiji Haino Toshiaki Ishizuka

Vajra are a Japanese psychedelic rock supergroup, hewn from the collective consciousness of Fushitsusha’s Keiji Haino, folk radical Kan Mikami and percussionist Toshiaki Ishitsuka.

INSTAL 04
Paul Sharits' Shutter Interface projected on a wall: three bands of colour
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Shutter Interface

Paul Sharits

Shutter Interface is an expanded cinema piece: a series of machinegun bursts of chromatic relationships and visual harmonics in an overwhelming montage

Kill Your Timid Notion on Tour
A film frames has the words "Scene Missing" displayed
25 February 2010
DCA

Standard Gauge & ()

Morgan Fisher

A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?

Kill Your Timid Notion 10
A gray tabby cat lounges in a glass bowl, the image is mirrored down the middle, so there are two lounging tabbies looking at us. The background is a cool blue gradient with geometric tiles.
21 June 2023
Performance Space New York Online

I wanna be with you everywhere 2023

I wanna be with you everywhere is an everywhere gathering envisioned for and by disability communities and anyone who wants to get with us. IWBWYE returns to Performance Space and any space on June 21 for an outdoor pop-up and hybridized event.

Robert Softley Gale working at a computer next to a bath robe
18 November 2017
Tramway

Discourse or Intercourse: One on One

Robert Softley Gale

Ten short intimate one-on-one conversations with Robert Softley Gale – We all want to see ourselves reflected in the world around us—in society, in art, in culture… in porn?

Episode 9: Other Worlds Already Exist
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

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