B-52
Hartmut Bitomsky
Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
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Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.
Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
As opposed to suggesting soundtrack’s to Brakhage’s works [which are almost entirely silent] Text of Light use his works to stimulate improvisation, enveloping them into the structure of the group much like an additional musician.
A freestyle performed conversation for bodies and voices – with the Queen of Krump, the master of Vogue Femme Dramatics and the rising star of Vogue Women’s Performance.
“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”
Three different performances variously featuring: Fritz Welch, loud drums, guitar, local collaborators, paper, memories, Roland Barthes, string quartets
How do you know what you want? Should freedom be doing what you ought, not doing what you want? How might a philosopher and artist turn this thinking into an enabling condition in the context of noise and improvisation?
This mini, late-night ball will include categories inspired by the events earlier in the weekend.
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
Jandek’s second ever live performance, and the first to be advertised in advance.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.