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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Eric La Casa walking with a microphone on a boom stand
13 May 2010
Tramway

House

Eric La Casa Jean-Luc Guionnet

One-shot sonic portraits of 4 houses, their inhabitants and their relationship to sound, from 2 of the most deep-thinking field-recording artists around.

UNINSTAL
An audience in a chapel
20 March 2009
Glasgow University Chapel

dazwischen

Eva-Maria Houben

Solo organ performance by German composer Eva-Maria Houben, which focuses on ‘nearly nothing’ to expand the way we listen.

INSTAL 09
Side profile portrait of Rashad Becker wearing a peaked baseball cap.
15 November 2024
Tramway Live Stream

Subversive Strategies in Sound and Music

Rashad Becker Sunik Kim

A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.

Episode 11: To End the World As We Know It
A portrait of Fred Moten wearing sunglasses and a cheeky smile
19 April 2013
Tramway

Fred Moten – Reading

Fred Moten

African American history, avant-garde jazz riffs and activism intertwine in experimental verse of extraordinary and affecting beauty that has to be heard.

Episode 4: Freedom is a Constant Struggle
Projection of a pink and gold form above a man operating another projector
12 December 2004
DCA

La Cellule d’Intervention Metamkine

Metamkine

Adamantly analogue, inspiring and frequently chaotic in performance, Metamkine draw no distinction between image and sound; during their intuitively improvised performances music and images are created simultaneously and equitably.

Kill Your Timid Notion 04
Sanjah: Kan Mikami, Masayoshi Urabe & Toshiaki Ishizuka at MLFC 07
12 May 2007
The Sage Gateshead

Sanjah: Kan Mikami, Masayoshi Urabe & Toshiaki Ishizuka

Kan Mikami Masayoshi Urabe Toshiaki Ishizuka

HEAVY Japanese super group, featuring the sundown delta blues of Kan Mikami, Toshi Ishizuka’s heavy, time folding drumming and Masayoshi Urabe on sax, harmonica and chains.

Music Lover’s Field Companion 07
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
A section of exposed 16mm film stock covered in small abrasions
14 April 2007
DCA

Film Programme 3: Earth

Various Artists Ian Helliwell

Includes: solar flares, insect fireworks, a new film from Ian Helliwell, pulsating glaciers, an apple being eaten alive, sea ravaged stock, crushed blackberries and film that has literally risen from the grave.

Kill Your Timid Notion 07
A gray tabby cat lounges in a glass bowl, the image is mirrored down the middle, so there are two lounging tabbies looking at us. The background is a cool blue gradient with geometric tiles.
21 June 2023
Performance Space New York Online

I wanna be with you everywhere 2023

I wanna be with you everywhere is an everywhere gathering envisioned for and by disability communities and anyone who wants to get with us. IWBWYE returns to Performance Space and any space on June 21 for an outdoor pop-up and hybridized event.

A blue and mauve background with black text that reads System Errors
17 August 2020
Online

System Errors: Abolitionist Technologies and Aesthetics

American Artist Danielle Brathwaite-Shirley Juliana Huxtable Legacy Russell

A panel exploring the radical potential of technologies through fugitivity and opacity: their ability to obscure, to make it impossible for us to be known, to render us untraceable by every arm of the state even under the all-consuming spectre of surveillance capital.

Revolution is not a one-time event
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