Hidden in Plain Sight: Club
boychild DJ Sprinkles Vjuan Allure Pony Zion
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?
Mashed up queer fantasy of worker’s revolts, biblical demons and present-day hells, and dubbed out cyborg-electro.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
A sort of prayer and conference, a sort of scream and dialogue – a monologue and declaration at the time, addressing how we can build complicity with one another.
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.
A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.
Avant-wrongdoers Blood Stereo performing in Garthamlock the town spawned them.
Goodwin’s writing emanates from the social life of poetry, from a condition of entanglement before historically racially-specific forms of representation. Another word for this emanation is breath.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
A performed reflection on Malin’s previous re-enacting of a super influential landmark of performance art from the French feminist and artist Gina Pane.