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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Vanessa Place listening while Mark Sanders talks
13 November 2010
Tramway

Consequences and complicities of conceptualism

Mark Sanders Vanessa Place

Conceptual writer and practicing lawyer Vanessa Place performs and talks with Mark Sanders, author of the brilliant “Complicities: The Intellectual and Apartheid”

INSTAL 10
Jean Philippe Gross sitting at a small table covered in electronics
13 May 2007
The Sage Gateshead

Jean-Philippe Gross

Jean-Philippe Gross

Solo by Jean-Philippe Gross, a French electro-acoustic improviser, working with mixing board, cheap mics, small speakers and an analog synth, built around a honed interest in feedback.

Music Lover’s Field Companion 07
Sparklers mounted on stands with microphones being lit with a gas burner
14 October 2006
The Arches

Sparklers and Table Top Set

Lee Patterson

Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.

INSTAL 06
A figure in leather and studded cuffs wears a large visor with the word SHADE
20 April 2014
MoMA PS1

Respect the Runway: The Red Carpet to Mastery

Various Artists

Organised by Twiggy Pucci Garcon and Pony Zion, The Masters Ball focuses on the work of 50 individuals designated within the scene as ‘masters’ in their respective performance categories, which include Vogue, Runway, and Face.

Master Ballstar Weekend
A survey is a process of listening
2 – 6 May 2012
Whitney Museum of American Art

A survey is a process of listening

A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).

A small audience looking at sean meehan's percussion and chair with no sean
5 May 2012
Whitney Museum of American Art

Sean Meehan

Sean Meehan

Percussion used to explore the social construction of space

A survey is a process of listening
Ultra-red & Nancy Nevarez seated around a large table with audience members
4 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Nancy Nevárez Ultra-red

For day three of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Nancy Nevárez.

A survey is a process of listening
Arika_Instal08_BryonyMcIntyre_Translation - A Campbell - D Nyoukis - JunkoIMG_3857
16 February 2008
The Arches

Translation

Aileen Campbell Dylan Nyoukis Junko

Trio vocal performance of a score by Achim Wollscheid with Aileen Campbell, Junko and Dylan Nyoukis.

INSTAL 08
Moor Mother performs at Episode 9, back lit with pale golden light
16 November 2017
Tramway

Moor Mother

Moor Mother

Moor Mother is a musician, Philadelphian housing activist and black quantum futurist.

Episode 9: Other Worlds Already Exist
Large white and red forms projected near a man operating another projector
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

La Cellule d’Intervention Metamkine

Metamkine

Multiple images, glimpses of old films, abstract images in the midst of an electro-acoustic sound field of tape loops & analogue synthesizers

Kill Your Timid Notion on Tour
Six red umbrellas in a grid shape
19 – 22 April 2017
Strathclyde Uni Kinning Park Complex CCA Terrence Higgins Trust

Sex Workers’ Festival of Resistance

A Festival supporting the struggle for Sex Workers’ Rights: share knowledge, discuss, dance and strategise!

Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It
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