
Killer of Sheep
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
Three (thankfully short) chats wherein we try and get at what’s eating us with regards to experimental music, and what we think might be worth salvaging.
By focusing on the things that most people don’t notice or pass by uncaring – Steve Roden crafts gentle, sparse and metaphorically loaded compositions.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
An event exploring anarchic and communal situations of musical creation with MV, EE and The Cherry Blossoms.
Greek TV company Onos Productions came to INSTAL 09 to document the festival and report on Nikos Veliotis’ Cello Powder performance.
A 100 strong Feral Choir of people who’ve never improvised with their voices before, conducted by composer Phil Minton.
Guy Sherwin gives a kind of annotated, chat through his optical sound films
The queer archiving of traumatic cultural memory from one of the leading voices working with queer archives.