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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A white star painted on a black oil tank or similar metal container
21 June 2006
Lyness Oil Tank

Lyness Oil Tank

Akio Suzuki John Butcher

Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.

Resonant Spaces
Copying without Copying Poster Graphic
23 – 25 March 2012
Tramway

Episode 3: Copying without Copying

Copying without Copying is 3 evenings of events that are about what happens when we speak, or when we hear someone speak on our behalf, when we share a collective moment of hearing and maybe understanding.

A film still. In the foreground is the hand of a person lying on the ground in a wooded area that is covered in leaves. The hand is painted white, palms down in a slightly clawed resting on the leaves.
16 November 2024
Tramway Live Stream

The Ancestral Present

Karrabing Film Collective Elwood Jimmy

Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.

Episode 11: To End the World As We Know It
Elizabeth A. Povinelli and Mijke van der Drift sit at black table in a black box theatre. There is audience to the right of the image and behind Mijke & Elizabeth are two screens for live captioning.
15 November 2024
Tramway Live Stream

Analytics of Existence

Elizabeth A. Povinelli Mijke van der Drift

Elizabeth’s writing pulls apart toxic settler colonialism and the worldview used to justify it; working towards an alternative distribution of powers, so that ways of being otherwise can endure.

Episode 11: To End the World As We Know It
Arika_Episode8_RefusePowersGraspClub-6
21 October 2016
The Art School

Refuse Powers’ Grasp – Club

boychild Elysia Crampton Juliana Huxtable Joe Heffernan

All ticket income goes directly to We Will Rise – a group of migrants, refugees, asylum seekers and their allies who have come together to End Immigration Detention in the UK.

Episode 8: Refuse Powers’ Grasp
A mesmerising shot of light reflecting, golden, off many hundreds of thin wires
21 November 2019
Tramway

Corpus Infinitum

Denise Ferreira da Silva

Do ideas emerging from particle physics help to re-think of blackness as a mode of life in which it’s possible to practice difference without separation?

Episode 10: A Means Without End
Silhouette of man with wild hair
19 April 2015
Tramway

Cartography of Exhaustion

Peter Pál Pelbart

If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.

Episode 7: We Can’t Live Without Our Lives
Side profile portrait of Rashad Becker wearing a peaked baseball cap.
15 November 2024
Tramway Live Stream

Subversive Strategies in Sound and Music

Rashad Becker Sunik Kim

A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.

Episode 11: To End the World As We Know It
Reina smiles as they hold a placard: "This is our life, this is our time"
28 September 2014
Tramway

From Subjection to Subjection

Charlene Sinclair Saidiya Hartman Tourmaline

A conversation about the movement for prison abolition and refusing the logic of race and sex that underpins the criminalisation and mass incarceration of communities.

Episode 6: Make a Way Out of No Way
Ripples on the surface of water
12 October 2008

cloud _to_air

Seth Cluett

Like walking through the abstracted amalgamation of 30 or so storms, trays of water shaken by thunder, light bouncing off pools.

Kill Your Timid Notion 08
Matthew Saladin Adjusts a movement sensor in Tramway's studio space
14 November 2010
Tramway

Noises Off

Matthieu Saladin

A kind of performed installation of searing noise and silence, where we’re not sure who the performer is, when it starts or ends or even who it’s for.

INSTAL 10
A small room with a table with white paper on it and several green chairs
6 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red

For day five of Ultra-red’s project, the investigation will review the previous work undertaken together, and perhaps draw up a summary of reflections and pose some future questions.

A survey is a process of listening
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