Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
4 days of performances, discussions, workshops, screenings with mutant dancers, prison abolitionist poets, transfeminist revolutionaries, haunted noise, science fiction, sex worker resistance, crip erotics, radical pornography and militant fiction.
Smith/Stewart set up allegorical situations over which they often have little to no control, but which instigate explorations of dependence and trust, the body, sex and death.
Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.
A loud, buzzing stew of electrical light as noise and convulsive electric guitar squall.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.
Talk charting the radical history of experimental music in Japan + the lowdown into the careers of many of the artists appearing at MLFC.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
The first INSTAL festival (programmed by Barry Esson of Arika and Tiernan Kelly) featured a line-up including Robert Lippock, Philip Jeck, Fennesz, Paragon Ensemble, Icebreaker International, Defaalt and Rhomboi.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
