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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A B&W portrait of four members of TEST, all smiling
6 May 2012
Whitney Museum of American Art

TEST featuring Fred Moten

Daniel Carter Matt Heyner Sabir Mateen Tom Bruno Fred Moten

TEST is a collective creative improvising quartet based out of the NYC Underground (figuratively and literally). Their street-hardened, spatial Jazz is riotous and intense: is also makes us think about collective organization, and different ideas of responsibility and liberty.

A survey is a process of listening
A drawing of skull has the numbers 21 - 87 in a serif font written over the eyes
12 October 2008
DCA

Film Programme: Sonic Landscapes

Various Artists

Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?

Kill Your Timid Notion 08
Brown Background with Bold Block text reads Instal 06 Brave New Music
13 – 15 October 2006
The Arches

INSTAL 06

The 2006 INSTAL festival saw a broad selection of artists that included Blood Stereo and Ludo Mich, Ellen Fullman and Sean Meehan, Keiji Haino and Tony Conrad and a specially created performance by Maryanne Amacher.

A female lying on a bed smiling as someone sits next to her
19 April 2015
Tramway

Ode to 1 & under

Constantina Zavitsanos Park McArthur

How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?

Episode 7: We Can’t Live Without Our Lives
17 November 2024
Tramway Live Stream

aquasomatics

Nat Raha Ailie Ormston

Transfeminist and revolutionary poetry, voice and timbral abstraction: a sounding and spatialising of reparative sonic and somatic practices that can speak back to violent histories of expropriation and ecocide.

Episode 11: To End the World As We Know It
Loic Blairon Sits at a table
15 May 2010
Tramway

It Doesn’t Say What It Says

Loïc Blairon

Open-ended, paradoxical and performed investigations into: misunderstanding, language games, form saturated with sense, and consecutive matters…

UNINSTAL
Layers of projection on a screen, a man's face with wig to the right
15 April 2007
DCA

LEVOX

eriKm Etienne Caire Gaëlle Rouard

Imagery, drawn from what seems like hundreds of different films is overlaid and combined in a promissory rainbow of new meanings and impossible scenarios, with the unsettling feel of daylight shadows.

Kill Your Timid Notion 07
two white whales made of paper perch on a low coffee table
21 November 2019
Tramway

In the Sign of Jonah: Around Moby-Dick

Laura Harris Fernando Zalamea

“The miracle of Herman Melville is this: that a hundred years ago in Moby Dick…he painted a picture of the world in which we live, which is to this day unsurpassed.” – C. L. R. James

Episode 10: A Means Without End
Inure Takehashi playing a snare drum among buddleia
15 July 2007
The former Abbeyhill Station

Shadowed Spaces Edinburgh

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

The site of the former Abbeyhill Station on the 1903 Leith branch of the Edinburgh and Dalkeith railway, overgrown and leading to as yet un-regenerated ‘wasteland’; taxi’s for 80 people, each instructed to take different routes between locations and; a slice of land concealed behind corporate business park branding off the Wester Approach Rd, apparently of no conceivable use and named ‘Chateaux de Scum’ by those who use it anyway.

Shadowed Spaces
A group gather as Tetsuo Kogawa shows folks how to make a radio
17 March 2009
CCA

Radio Party

Tetsuo Kogawa

A simple hands on workshop with micro-radio theorist and pioneer Kogawa.

INSTAL 09
Bold white text on Red background reads Kill Your Timid Notion
21 – 28 February 2010
DCA

Kill Your Timid Notion 10

A mixture of investigation groups, live performances, screenings and installations at DCA; the festival looked to strip back music, sound, film and moving image to their core ideas and explore them with artists and audiences.

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