
Mutual Aid on the Road to Abolition
Dean Spade Abolitionist Futures
How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?
No Wave, damaged garage jams and crazed instant vocal shrieks.
Has neoliberal capitalism locked down social experience? Are our seemingly subjective desires, our identities, pre-packaged by dominating social structures?
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.
CCI Sound system: a performance in which new material will be mixed and phased between two huge PA’s, one a precise Meyer system, the other a huge wall of Marshall amps
The queer archiving of traumatic cultural memory from one of the leading voices working with queer archives.
Profound mathematical ideas for romantics, to help us linger in the difference we share.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
Joe Colley specialises in hotwired sound constructions full of ominous electronic disturbances and caustic, noxious drones. For KYTN, Joe created a situation of controlled chaos with 50 light sensitive oscillators placed in a field of candles.
Open community meeting to discuss some of the prevalent concerns impacting the ballroom community.
Mirror and Phantom Engineer performing an improvised soundtrack to Benjamin Christensen’s 1922 horror film prototype, Haxan: Witchcraft through the Ages.