Steve Roden
Steve Roden
By focusing on the things that most people don’t notice or pass by uncaring – Steve Roden crafts gentle, sparse and metaphorically loaded compositions.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
By focusing on the things that most people don’t notice or pass by uncaring – Steve Roden crafts gentle, sparse and metaphorically loaded compositions.
A programme that looks at how sound and image can be treated as variants in a collection of ordered objects; at how to create meaning from the similar, and to notice difference.
(Cyber)feminist, non-essentialist transgender and queer daily radio shows using the formula of morning radio as an arch way of thinking about the scripted behaviour and controlled empathy of systematic care.
Simon Morris is joined by Nick Thurston as they attempt to read aloud whilst peddling on exercise bikes.
Stripping back the domesticated ‘meaning’ of (everyday, mundane, kitchen) tools to reveal “a lexicon of rage and frustration.” Plus an allegorical use of mundane, everyday things as an examination of how meaning is constructed in film.
Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.
A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
Blissed-out sun-dappled drone ragas of the highest order, with a metal-tinged signature sound of plucked and bowed strings.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”