Kuwayama & Kijima
Kiyoharu Kuwayama Rina Kijima
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
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Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?
Introducing and setting intentions for a crip grief transformation and witness altar. A place to sit and breathe, remember our dead, wash our hands and leave offerings to and for loved ones we’ve lost – and for ourselves.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.
Profound mathematical ideas for romantics, to help us linger in the difference we share.
How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?
Performances at Anthology Film Archives by by Loren Mazzacane Connors, Alan Licht & Jandek.
Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
Guitar and voice. Keening, droning and mourning. Be ready to release and bring your dis-ease.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
A voice that can vault from an elegantly whispered insinuation to asphyxiated and murderous barks or squalls in a heartbeat.