
Formula [ver 1.1]
Ryoji Ikeda
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
Sound as it is endured by space and the body: 15 participants lie face down and pound the floor with a microphone one thousand times, each person choosing their own rhythm and intensity.
Durational group-mind drone and clatter: bamboo, electronics, the contents of your local ironmongers bin. A 3-hour set from this legendary Japanese improvisation group.
A programme that looks at how sound and image can be treated as variants in a collection of ordered objects; at how to create meaning from the similar, and to notice difference.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.
Simple maths and stringent scored instructions move precise frequencies and clicks to create a dense, fluctuating environment of standing waves and physical sound.
A performed lecture concerned with Renaissance occult (musical) thinkers of the cosmic who put forward the notion of the “disharmony of the world”
An evening of live performances, readings & saucy rococo cakes celebrating the launch of Truth and Lies – An Anthology of Writing and Art by Sex Workers.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
The Songspiels take on a mode of musical theatre developed by playwright Bertolt Brecht and composer Kurt Weill in the early twentieth century, presenting political and social concerns through the accessible and (often funny) form of song.