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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A glass spilling over with milk sat on a table
28 February 2010
DCA

Semiotics of the Kitchen & To Pour Milk into a Glass

David Lamelas Martha Rosler

Stripping back the domesticated ‘meaning’ of (everyday, mundane, kitchen) tools to reveal “a lexicon of rage and frustration.” Plus an allegorical use of mundane, everyday things as an examination of how meaning is constructed in film.

Kill Your Timid Notion 10
Arika_Episode8_RefusePowersGraspClub-6
21 October 2016
The Art School

Refuse Powers’ Grasp – Club

boychild Elysia Crampton Juliana Huxtable Joe Heffernan

All ticket income goes directly to We Will Rise – a group of migrants, refugees, asylum seekers and their allies who have come together to End Immigration Detention in the UK.

Episode 8: Refuse Powers’ Grasp
a large crowd wearing evening wear are sat at tables applauding
19 April 2014
Holiday Inn

Icon’s Lunch

Various Artists

This event honoured those individuals who achieved the status of Icon during the period of 1986-1990.

Master Ballstar Weekend
Hisato Higuchi backstage at MLFC 07
13 May 2007
The Sage Gateshead

Hisato Higuchi

Hisato Higuchi

Some of the most breathtaking, delicate and smoke filled guitar playing this side of Loren Connors or the quieter sides of Keiji Haino.

Music Lover’s Field Companion 07
under a dramatic spotlight boychild wrapped in string is hunched and performs
25 May 2013
Tramway

#untitled lipsync 2

boychild

The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.

The panel members at a rectangular table listen to a question
26 May 2013
Tramway

We have something to say about… Pt2

Emma Hedditch Frank Roberts Michael Roberson Pony Zion Robert Sember Terre Thaemlitz Vjuan Allure Vogue’ology

A historical narrative of the black and latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to its artistic practices.

Episode 5: Hidden in Plain Sight
An audience in a chapel
20 March 2009
Glasgow University Chapel

dazwischen

Eva-Maria Houben

Solo organ performance by German composer Eva-Maria Houben, which focuses on ‘nearly nothing’ to expand the way we listen.

INSTAL 09
A man looks through camcorder viewfinder in the reflection in a mirror
21 February 2010
DCA

Hotel Diaries 1-8

John Smith

These simple, one-take videos, relate personal experiences to the current conflicts in the Middle East via the most basic of means (a hotel room, a camcorder, John’s personal thoughts, concerns and convictions).

Kill Your Timid Notion 10
boychild performs prostrate bathed in a blue light a red light in their mouth
26 May 2013
Tramway

#untitled lipsync 3

boychild

The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.

A small room with a table with white paper on it and several green chairs
6 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Ultra-red

For day five of Ultra-red’s project, the investigation will review the previous work undertaken together, and perhaps draw up a summary of reflections and pose some future questions.

A survey is a process of listening
Octante & Margarita Garcia standing in a group smiling
13 May 2007
The Sage Gateshead

Octante

Alfredo Costa Monteiro Ferran Fages Margarida Garcia Ruth Barberán

Acoustic turntable, engines, trumpet and accordion joined by Bassist Magarida Garcia: build long-form quietly detailed pieces that clatter and rumble, that expand and contract with the tension and release of deeply held breath.

Music Lover’s Field Companion 07
Drawing of concentric arrows with 3 words in the centre: attacker, helper,victim
19 April 2015
Tramway

Work Care Class 3 – Care & Revolution

Howard Slater

Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?

Episode 7: We Can’t Live Without Our Lives
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